Born in Milan in 1988, he enrolled at the University of Milan where he obtained a three-year degree in
cultural heritage sciences and concludes his student career with a master's degree in visual arts and curatorial studies at NABA (Nuova accademia di belle arti). The area of investigation of his research revolves around the concept of transformation understood as a constant state of impermanence and insecurity. Federico's art is articulated through different mediums: sculpture, painting and alternative printing techniques in a repeated search for an aesthetics of extraneousness aimed at creating images that evoke an idea of distance from their surroundings. The concept around his works is the reflection of the human being in continuous relation to this state, elaborating images that are a reflection of habitual survival strategies. All the subjects he treats revolve around this conceptual core, recalling fossilised forms, excluded from becoming.