mauro valsecchi
YAH ARTIST SINCE 2024
La teofania di Artemide
Mauro Valsecchi
pigment dust on paper
44x32cm cada uno
2200
La penombra in Atteone
Mauro Valsecchi
pigment dust on paper
55x66cm con cornice
700
Questa notte fuori piove
Mauro Valsecchi
polvere di pigmento, spray su carta
42x30cm
400
Vertigini: come una risata in un teatro vuoto
Mauro Valsecchi
pigment dust on paper
100x50cm
900
I sognanti vivono con gli occhi chiusi 2
Mauro Valsecchi
pigment dust on paper
37x37cm
350
I sognanti vivono con gli occhi chiusi
Mauro Valsecchi
pigment dust on paper
37x37cm
350
2024
The others art fair, Young ARt Hunters, Almach art gallery, torino
illustrami 7, the yah factory, yah, milano
duat of light, young art hunters, milano
re-gen, the yah factory (yah), milano
2023
Essenziale, paratissima, fondazione amleto bertoni, torino
2022
scrittura a perdere, galleria fang arte, torino
2021
stratificazioni di visioni, una torre per l’arte, antonella bosio, castellaro lagusello
2020
il talento delle donne, maf, milano
il notturno, galleria itinerante, arezzo
2019
taccuino selvaggio, millenium gallery, bologna
2018
il corso delle cose, progetto ztc, milano
2017
il tempo indeciso, sabrina drigo, milano
2015
giocando sulla soglia, spazio cabinet, milano
2013
flash art event, fm centro arte contemporanea, milano
2012
barbarie, viafarini, milano
Biography
Mauro Valsecchi was born in Milan in 1992. He began his studies at the Enrico De Nicola Art School in Sesto San Giovanni, Milan. Subsequently he began a course of study in artistic disciplines at NABA, New Academy of Fine Arts in Milan, where he obtained a three-year degree in Fine Arts (B.A.), specializing in Painting and Visual Arts in 2014. He concluded his training at NABA with a specialist degree in Visual Arts and Curatorial Studies in 2018. His artistic research revolves around the perception of reality and the visions of everyday life which manifest themselves as imaginative projections; in his works he
tries to bring back that wandering of vision with minimal lateral glances, to distract himself from the already completely interpreted world that he is watching, and find a thrill of perception that reopens every time, to let unusual images arise from
accidental appearances that no one ever usually observes. All the drawings he produces do not have an illustrative imprint but maintain a strong relevance to realism. Over the years he has developed a particular drawing technique which involves the use of colored powders and pure pigments, which are pressed with tips or dragged with a smudge to mark the paper, finally fixed with a lacquer or a fixative spray. This technique makes it difficult to sketch subjects and places from life, so he made up for this technical complication by taking textual notes which then turned into drawings from memory. Finally, his need to give a three-dimensional body to these designed surfaces: to move the canonical point of view, to be able to go around them, to lower or tower over the user, to play with perception to fuel a vision. For this reason, drawings, texts, everyday objects and photographs often become sculptures, installations, which occupy other spaces besides that of the wall.
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young art hunters associazione ets
via bramante 13 20154 milano
97890630151
