Relitti 1
Federico Catagnoli
copper, copper sulphate
25x17x15 cm
600
federico catagnoli
YAH ARTIST SINCE 2024
Relitti 3
Federico Catagnoli
copper, copper sulphate
14,5x20x22 cm
600
La stagione del raccolto 2
Federico Catagnoli
cyanotype on paper 1/10
68×50 cm
1500
Concrezioni
Federico Catagnoli
oil on canvas
50×40 cm
800
2024
illustrami 7, the yah factory, yah, milano
duat of light, young art hunters, milano
re-gen, the yah factory, young art hunters, milano
2023
morfeo, the yah factory, young art hunters, milano
yah art days 3, cascina campazzo, young art hunters, milano
2022
Fall(ASLEEP), Elena Caterina Doria, Cella Monte
Cosa vedi, oltre questi orizzonti, Antonella Bosio, Castellaro Lagusello
2021
Ed ecco verso noi venir per nave, Percorsi, viaggi e paesaggi, A.D.A.F.A., Cremona
2019
Terra Madre Horti Conclusi, Mario Quadraroli Daniela Gorla, Arsenale di Bertonico
2018
Before but around, Giulia Carletti, Studio Ipogeo, Milano
Disaccordi, Mariateresa Lattarulo e Carolina Mancini, Studio EO, Milano
Ho fissato uno sguardo che stava per scomparire, Studio Ipogeo, Milano
2017
JUST GOOD Friends – the reunion of common things, Hotel Premuda. Spotorno
Four, NABA Nuova Accademia di Belle Arti. Milano
2013
Dinamiche Animate, TorinoArtGallery, Torino
Biography
Born in Milan in 1988, he enrolled at the University of Milan where he obtained a three-year degree in
cultural heritage sciences and concludes his student career with a master's degree in visual arts and curatorial studies at NABA (Nuova accademia di belle arti). The area of investigation of his research revolves around the concept of transformation understood as a constant state of impermanence and insecurity. Federico's art is articulated through different mediums: sculpture, painting and alternative printing techniques in a repeated search for an aesthetics of extraneousness aimed at creating images that evoke an idea of distance from their surroundings. The concept around his works is the reflection of the human being in continuous relation to this state, elaborating images that are a reflection of habitual survival strategies. All the subjects he treats revolve around this conceptual core, recalling fossilised forms, excluded from becoming.
cultural heritage sciences and concludes his student career with a master's degree in visual arts and curatorial studies at NABA (Nuova accademia di belle arti). The area of investigation of his research revolves around the concept of transformation understood as a constant state of impermanence and insecurity. Federico's art is articulated through different mediums: sculpture, painting and alternative printing techniques in a repeated search for an aesthetics of extraneousness aimed at creating images that evoke an idea of distance from their surroundings. The concept around his works is the reflection of the human being in continuous relation to this state, elaborating images that are a reflection of habitual survival strategies. All the subjects he treats revolve around this conceptual core, recalling fossilised forms, excluded from becoming.
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